Saturday, April 01, 2017

NaPoMo 30/30 Haiku and Senryu

Long dawn shadows
Booty stretch
marks morning Tai Chi

subway rumble the subtext of her half-smile

April darkness pocketing my phone to follow tweets

Because a Tomahawk is not a bird we pray

Winter leaves a calendar's last days curl around us

At the top of our stares Stars

Open bedroom door Oscar Peterson's fingers on 88 keys

Low winter sun The glare from a truck with a Rebel Flag

October breeze the puddle unruffled by a V of geese

subway rumble the subtext of her half-smile

Saturday, February 11, 2017

Something old, Something new, something borrowed, something blue

(For Miss Prissy)

When you toss the dark
mystery of your hair,
why are the almonds of your eyes
suddenly so sienna?
How do your lips
always seem to glisten,
ripe as a rain
kissed apple?
My hands may have trekked
from Australia to Zaire,
(although not yet Cabo Verde.)
Yet the topography
between the soft shore
of your forehead
and the smooth beach of your feet
leaves them befuzzled,
grasping at perfumed air.
They may have kayaked currents
on the Silver River,
rambled up the mythic rocks
of Mt. Rainier,
or even delved the subtext
of the Mediterranean Sea,
but encountering you
they lack any compass,
nautical chart or North Star.
Let me not notice
how the purple
of your pout
may harbor more treasure
than any ocean’s sunken chests
or these hands
might never cease
their hunger
to wander down
the coiled conundrum of your spine
and up the twin exclamation points
of your thighs,
eternally seeking to solve
each brown skinned riddle
the country of your body contains.

After Pablo Neruda

Saturday, January 21, 2017

The Orange Antichrist

Over and over again The Orange Antichrist sighs matters

The crystalline ego
of The Orange Antichrist
glitter of glass shards

The Orange Antichrist
longs to be hailed
like a taxicab

"Hail to the Thief"
The Orange Antichrist
hums along

The creek rises
is god unwilling
The Orange Antichrist looms

between one headline and another
The Orange Antichrist

Thursday, January 12, 2017


This may be about the cravings in the mouth of a man with few front teeth standing by a Wizard of Oz slot machine for three or more hours, staring into the darkness. Or about what desire crosses the faces of people seated at nearby machines or the wheel of patter between them. Maybe someone once said that chocolate is just desire barred. This isn't about everything happening for a reason, except the things that don't, or about a human brain always finding patterns in the numbers of a roulette wheel even when there might only be the illusion of one. Roulette means “small wheel.” This could be about reasons being patterns in the small wheels of our minds. This could be about the divine grace of a certain waitress, dipping at the knees to serve a Chocolate Martini. Or about the darkness filling the glass she serves, but this is not about the darkness in the skin of chocolate. This might be about melodies made by spinning reels or tinkling bells or a pattern that could be encoded in the sequence of the lights. Perhaps this is about the all night party streamers of the waitresses' hair, about what inflates the life rafts of her lips, what taunts in the dark sea of her skin or what spins in the small wheels of her eyes. But, this is definitely not about the darkness in the center of chocolate. Not about how many degrees of heat could make it liquid between the lips. This wants to be about a woman walking past and checking her side view mirror to see if he's watching and is almost about which mixed drinks he may or may not sip behind the darkness of sunglasses as she swipes his debit card in the register of longing. This could be about a bar or what resembles candy in her smile.. This is not about the darkness in a sentence of chocolate. Not about how it melts and sticks. This may be about how the arrows of some eyes narrow if he doesn't speak or the mariachi band of laughter from certain lips when he does. This is likely about a no name man standing in front of a bank of thieving machines dreaming of bars lining up in a pattern on a reel, probably about a progressive jackpot. About how we invent goddesses to explain the patterns of darkness in our luck. This is not about the darkness at the center of chocolate. This seems to be a smile through reclining eyelids or a soft lick of the lips afterwards. But this can’t be about what gets wagered on the tip of a tongue or about being lost in a bet, and definitely doesn't involve the name of a goddess dissolving in his mouth on the slow cab ride from the airport of possibility to the dark shadows at the center of the city of half sighs.